Welcome to the Twilight Zone

Good God almighty! Steven Den Best is watching Pokemon - and liking it!

"One of the surprising things about the series is just how much creativity went into developing all the various monsters. Presumably they were all inherited from the game, but it's still obvious that someone put a lot of work into it. Creating that many different monsters and making them visually interesting, plus assigning them such a wide variety of different powers, is pretty impressive.

All in all a pleasant surprise."


Doesn't he know that Pikachu eat's children!? This is more than I can bear. Next thing he'll start buying card packs for the CCG. Detonate the EMP's! Hurry!!

Will Sony Ever Release Blood Plus Season 2?

With so many people writing in an asking about it, I thought I'd make a short post regarding Blood Plus Season 2. Frankly, we haven't heard anything regarding future Blood + releases in several months. Sony Pictures owns the series here in the US (they distribute the DVD's through Columbia), and made the odd decision last year to release the first season up front in a boxed set, and then release the singles through main stream outlets during the course of late 2008 and into 2009. So far, Sony has managed to get 4 of the 5 Season 1 Blood + single volumes released, but vol #4 was out in January and as of June there is still no word on Vol #5. We had expected (hoped) Season #1 Vol #5 would be released in April, and an announcement on Season 2 by May, but it seems future volumes are stalled for now.

Sony has been doing quite poorly in the economic downturn, and rumor has it they may have to sell off their studio business to raise capital. 24/7 Wall Street recently reported:

Sony (SNE) is in trouble, and it is very deep trouble. For the fiscal year ending March 31, the conglomerate lost more than $1 billion on $79 billion in revenue. Sales were down by over 12%. Nearly every segment of Sony’s business did poorly. Revenue in its huge electronics division dropped 17%. The LCD TVs, PCs, and video cameras that it manufactures and markets have come under intense price pressure. TVs are close to being a commodity and almost every large consumer electronics firm is in the flat panel screen business. Sony’s video game division had an 18% drop in revenue to $10.7 billion. The business lost almost $600 million as sales of the aging PS2 dropped and the newer PS3 did not pick up that slack. The PS3 is never going to be the smashing success that Sony hoped it would be. It has fallen too far behind the extremely profitable Nintento Wii and the Microsoft (MSFT) Xbox 360. Sony will have to drop the price of its PS3 machine eventually if it wants to have any chance to gain market share.

The one large business that Sony owns that bears no relationship to its core consumer electronics operations is it movie studio. In the last fiscal year, the business earned $305 million, down 49%, on revenue of $7.3 billion, down 16%. The studio operating financial results are highly cyclical based on both the economy and the box office results of its films and sales of its DVDs. The concern about the premium content assets of any large company is that they will slowly lose their value over time as the Internet gives consumers access to movies and television for free, or at much lower prices than the current income from theaters and DVDs. If this is true, the value of a studio will fall further and further over time. On the other hand, if two of the largest feature film businesses were put together, the cost savings would be considerable and the marketing clout of the new entity would probably improve. Sony’s studio may be a bright spot in its earnings now, but there is very little chance that profits from the division will go up sharply and stay up. The turnaround of Sony does not depend on the studio. The turnaround of Sony depends almost completely on its electronics and game operations which make up the great majority of its sales.


Interesting analysis, and very relevant to where we are today. Sony is experiencing the same problems as US and Japanese Anime studios facing competition from free digital content. A company with the size and scope of Sony, there is probably little incentive to expend resources releasing anything in this environment that has limited sell through potential (eg - Anime).

Still, we do hope that they will eventually release the second season of Blood + on DVD, hopefully as a boxed set all at once. For now we'll just have to wait and see and try to be patient.

ROKUSHIN GATTAI GOD MARS!!

Photobucket

Six enormous colorful super robots erupt from hiding to protect Takeru Myojin, a 17-year old member of the Crasher Squad who, in reality, is actually a space alien named Mars from the planet Gishin with super ESP powers sent here to destroy the Earth! Will his fellow Crasher Squad members let their suspicion and mistrust of Takeru ruin their friendship? Will Emperor Zule succeed in killing Takeru and detonating the Earth-destroying bomb hidden inside the super robot "Gaia"? Will Takeru's twin brother Marg resist Zule's mind control before he's forced to battle Mars to the death? And will Takeru/Mars realize his six super robots will combine to form the Six God Combination God Mars, the most powerful robot in the universe? The answers to all these questions may be found in ROKUSHIN GATTAI GOD MARS, the 64-episode 1981 series from Tokyo Movie Shinsha that raised the bar for colorful, well-designed super robot animation as well as heart-rending cosmic sibling melodrama.

Photobucket

One of TMS's few robot anime titles (the others include their 1980 remake of TETSUJIIN-28 and 1983's SUPER DIMENSION CENTURY ORGUSS), it quickly downplays the "enemy robot of the week" formula in favor of cosmic soap opera, and the melodrama and tears continue right until the end of the series. MARS, a 1976 Shonen Champion manga series by pioneer Mitsuteru Yokoyama, drew on the science fictional ESPer hero themes explored in his earlier works such as BABEL II and THE NAME IS 101, spiced with flavors of the giant robot guardian motif originated in his TETSUJIIN-28 and GIANT ROBO series.

TMS continued the evolution in GOD MARS. Where there was once one super robot guardian, GOD MARS now gives us six separate super powerful giant robots that combine into one ultra-unstoppable mechanical deity, the centerpiece of a shiny, colorful space opera that captivated audiences around the world.

The story? 17 year old Takeru Myojin is a member of the Crasher Squad, the rapid-reaction space unit of the Earth Defense Forces in the future year 1999. Troubled by strange dreams, confronted by mysterious assassins from outer space, Takeru learns his real name is Mars. As an infant, he was sent to Earth from planet Gishin as part of a secret plan by its evil Emperor Zule. Possessed of super ESP powers, Mars can summon the gigantic robot Gaia, which in addition to being your typical super strong robot, also contains a super bomb capable of destroying the entire planet Earth! The emperor's plan is thwarted, however, because Takeru rejects Zule and Gishin, instead choosing to defend his adoptive home planet alongside the Crasher Squad - Mika Hinata (girl), Akira Kiso (chubby guy), Asuka Kenji (captain), Naoto Izyuujin (the cool guy), and Namida (audience-identification kid), all led by Commander Ohtsuka (exactly the same character from TETSUJIIN-28, right down to the pot belly and moustache).

Photobucket

Luckily for Takeru and the Earth, his real father on Gishin secretly sent five other robots to Earth. Awaiting Takeru's summons, these five robots - Sphinx, Uranus, Titan, Shin, and Ra - slumber in locations across the globe but when Takeru commands "ROKUSHIN GATTAI!", they burst forth from their hiding places and combine into GOD MARS.

Photobucket

With a reputation built on anime adaptations of high-profile manga including shojo titles (ROSE OF VERSAILLES), sports drama like AIM FOR THE ACE, and the long-running adult comedy LUPIN III, TMS was known for bright, stylish animation with an international flair. ROKUSHIN GATTAI GOD MARS would be no exception. The show practically vibrates right out of the TV with the brightest, cleanest, cheeriest color palate since that time the NBC Peacock dropped acid at a wild Technicolor corporate party. The skies are impossibly blue, the trees are vibrantly green, rockets blast with clouds of flame, ray-guns scintillate and sparkle. The Six God robots aren't wasted in some tedious rainbow motif but each have their own color schemes and visual identities, and the God Mars combination is distinctive and friendly, a big clunky multicolored skyscraper of a robot that must have been a bitch for the animators. It's a series that caught American anime fans' eyes when it was nothing more than opening credits on a compilation tape; even jammed together with hundreds of other OP titles from hundreds of other similar super robot cartoons, GOD MARS stands out.

Photobucket

Thematically GOD MARS also excels. Abandoning the traditional 8 year old boy audience entirely, GOD MARS adopts melodramatic space opera storyline full of tragedy, loss, and heartbreak, embodied in its fan-favorite character, Takeru's shy, retiring, dreamy twin brother Marg. Held in the palace of Zule on Gishin, Marg telepathically warns his brother of impending danger until Zule brainwashes him for use as a living weapon against Takeru in a tragic battle of brothers. The first third of the series is filled with angst and more than a bit of sloppy emo brotherly emotion as both Mars and Marg agonize over the fates that have kept them from a normal sibling relationship. Meanwhile, Takeru's pals in the Crasher Squad and the EDF begin to realize that Mars is a space alien related to the other space aliens who are destroying Earth, and also, if he dies, the whole world goes boom. So there's a lot of suspicion, soul-searching, moody moping, and protective custody. Meanwhile the girl Gishin super-ESPer ace Rose swears to defeat Takeru, but eventually realizes that not only is Gishin wrong to attack Earth, but as one of the few speaking female roles in the show, it's up to her to provide some hetero non-incest romantic interest; so we're treated to a half-hearted romance between Rose and Mars. This in no way dimmed the Mars/Marg relationship, which would inspire reams of disturbing twincest fan fiction and set the template for a generation of dreamy boy-love dreams.

Photobucket

The show makes a brave attempt at romance between Mars and Rose, but you can tell their hearts really aren't in it, especially as a late-series plot point involves Rose being possessed by the spirit of Marg! It's a shame because Rose is one of those starts-off-evil but later-becomes-good characters with one of the few real character arcs in the show, and deserves to be more than a beard. Nobody takes the Rose/Mars hookup seriously, the nonexistent romance between Mrs Myojin and Commander Ohtsuka is more believable.

The 64 episodes of GOD MARS are divided up into three distinct sequences; the Gishin Chapter, the Marume chapter, and the Earth chapter. As the fight with Zule wraps, Earth finds itself smack dab in the middle of one of those fugitive space-princess sagas as Flore arrives, a refugee from a war on planet Marume, where the evil emperor Giren has conquered the planet next door. Sought by both Giren and the mysterious space pirate ship "Frontier", Flore is given asylum on Earth, and just like what happened when the United States gave asylum to the Shah of Iran, Earth is attacked by both Giren's space fleet and by the Frontier, captained by the mysterious Gasch. Luckily for all concerned Flore has super ESP powers. Takeru and the Crasher Squad travel to Marume and involve themselves in the civil war between two peoples defined by their magnetic orientations. No, seriously.

Photobucket
Emperor Giren and Flore battle psychically

This 'Marume Chapter' is really curious; we're treated to Gasch's space pirate ship which is equipped with sails and masts and bowsprits, one of the lead figures in the Marume war is a religious leader we can only refer to as the "Space Pope", there is an extended combat sequence where guys on skis battle tanks and airplanes, and the power level of God Mars is amplified to such an extent that Takeru can stand on the surface of a planet hundreds of light years away and call his robot protectors from Earth, who arrive within minutes to fill up air time with yet another repeat of the Six God Combination Robot Combination Sequence, two solid minutes of animation that can be used and re-used and re-re-used every episode.

Photobucket
Gasch and Flore battle psychically

The Marume saga wraps with peace breaking out among the twin planets and with Takeru and the Crasher Squad learning that Emperor Zule is once again threatening Earth from beyond the death dimension, or some such Kirbyesque nonsense. And thus begins the Earth Chapter. The writers realized they'd written themselves into a corner with the awesome, unbeatable power of God Mars, and so Takeru/Mars is hobbled by psychic handcuffs that drain his life force every time he yells "ROKUSHIN GATTAI!".

Photobucket
The ZULECUFFS!

Only the mysterious space-surfing Rose Knight can show up in the nick of time every episode to distract the villian of the week long enough for Mars to save the day! Yes, years before Tuxedo Mask was rescuing Sailor Moon, the Rose Knight was pulling the same kind of lazy-writers duty in GOD MARS. Who is the mysterious Rose Knight? I wonder if it's actually the character named Rose in disguise?

Photobucket
There, just spoiled the show for you.


A GOD MARS compilation film was released in 1982 and it's that movie which familiarized most American audiences with the show. And "familiarized" is probably too strong a word, as judging from the reviews the movie left most viewers confused and slightly irritated, a natural reaction to any film that shoehorns 25 episodes of action into 95 minutes and hands it to a continent of people who aren't already familiar with the concepts. GOD MARS remains a footnote of the 1980s anime boom, albeit one with staying power; GOD MARS got its own OVA remake in 1988 (featuring a girlfriend for Marg!) and a back-to-basics OVA adaptation of MARS was released by KSS in 1994. Among North American anime fans GOD MARS is mostly known these days for being the subject of some really well designed toys and dreamy boy ESPer fanfic.

Which is a pity; because GOD MARS is an entertaining show. Even if you just want to sit back in the couch and let the Crasher Squad's space attack plane zip through the impossibly blue skies to the tune of the "God Mars" theme song, the show is so colorful, so visually appealing, and so well animated (in parts) that anybody who enjoys animation will find something to like about at least part of it. Had GOD MARS been on American televison in the 1980s I predict it would have been a hit or at least a fondly remembered cult classic; Europe got a good chunk of the show and it's still fondly remembered over there. The closest North America ever got was the TMS/NBC coproduction MIGHTY ORBOTS, a five-god combination robot controlled by clean-cut non-twin Rob Simmons and his robot little sister Ohno. ORBOTS was directed by Osamu Dezaki, creating hands down the best looking American network Saturday morning cartoon ever, though hobbled by typical focus-group approved American cartoon scripting.

Photobucket
know the difference.

It may very well be true that there are vast chunks of GOD MARS that are tangential to the main storyline, if not outright nonsensical digressions. I mean, seriously, space popes?! But all the recycled robot combination sequences and tacked-on plot extenders can't hide the power of GOD MARS - the struggle of Takeru Myojin to move beyond his tragic past and find his place in the world. And if that place is to be the super-ESPer master of an immensely powerful six-god combination robot, then so much the better for us all.

Photobucket
Farewell, Rose! Farewell, Mars!

Oricon: who would you want to become?

Weekly entertainment magazine ORI☆STAR polled 700 male and female readers on which famous person they would like to try being. In the men's category, singer/actor Masaharu Fukuyama ranked first, while Namie Amuro took the top spot in the women's category. Many of the readers expressed a wish to have similar personal experiences to those of Fukuyama and Amuro.

Male readers said they wanted to sing like Fukuyama and have his sexy voice. One 20-year-old commented, "I want to do karaoke. He sings well and the way he sings looks really cool." Another reader from Osaka said, "I want to see how it is to be popular among women. He's cool and 'Almighty.'"

Among the women, many expressed their desire to have Amuro's good looks, as well as her balanced and fashionable style. "I want to feel satisfied standing in front of a mirror wearing all kinds of outfits! She has a goddess-like style and anything looks good on her," stated an 18-year-old female from Osaka.

Hiro Mizushima ranked second in the male category and Takuya Kimura followed in third place. Ayumi Hamasaki placed second with Aoi Miyazaki ranking third in the women's category.

Men's Category:
  1. Masaharu Fukuyama
  2. Hiro Mizushima
  3. Takuya Kimura
  4. Koshi Inaba
  5. Kazutoshi Sakurai
  6. Hiroshi Tamaki
  7. Hiroshi Abe
  8. Tsuyoshi Domoto
  9. Shun Oguri
  10. Joe Odagiri
Women's Category:
  1. Namie Amuro
  2. Ayumi Hamasaki
  3. Aoi Miyazaki
  4. Ayaka
  5. Becky
  6. Haruka Ayase
  7. Yui Aragaki
  8. Maki Horikita
  9. Kou Shibasaki
  10. YUKI

Image Server Update / Store Images May Be Down for a Short Time

Just FYI folks, we're updating the server that provides most of the images to the store site during the wee hours of the morning, so it will be up and down all night. Should have everything back up and running before morning, but if you are on the store site and the images aren't loading you'll know why. This will not prevent access to the store site, nor placing an order and will not effect the secure server, though you may have a heck of a time seeing what you're buying. :-)

We'll get the store images back up and loading as soon as possible, and we appreciate your patience. This maintenance is long overdue.